Matrix, Meshwork, Moiré: Patterns in American Print

Jennifer Roberts

2015 Syracuse Symposium™ on Networks

Public Lecture: November 17 / 6 – 7:30 p.m. / Peter Graham Scholarly Commons, Bird Library

Mini Seminar November 18 / 3 – 5 p.m. / Special Collections Research Center / Lemke Seminar Room

Both events are free and open to the public, but advanced registration is required for the mini-seminar. To register, contact Romita Ray at

A key question lies at the intersection of network studies and print studies: how might we define the relationship between the social networks that replicated images enable, and the physical net-works — the screens, dots, and lines of various printing matrices — that enable those images to be replicated in the first place? Proceeding through select examples by artists from Benjamin Franklin to Roy Lichtenstein, Jennifer Roberts’s public lecture, Matrix, Meshwork, Moiré: Patterns in American Print, superimposes these social and material networks in order to explore their patterns of convergence and their reciprocal agencies.

Jennifer L. Roberts is Elizabeth Cary Agassiz Professor of the Humanities at Harvard University. She is an art historian focusing on American art from the colonial period onward, with particular interests in craft and materiality theory, print studies, and the history and philosophy of science. She is the author of Mirror-Travels: Robert Smithson and History (2004), Jasper Johns/In Press: The Crosshatch Works and the Logic of Print (2012), and Transporting Visions: The Movement of Images in Early America (2014).

Event Co-Sponsors:

The Syracuse University Humanities Center in the College of Arts and Sciences, organizer of the 2015 Syracuse Symposium™ on Networks

Department of Art and Music Histories

Special Collections Research Center

SUArt Galleries

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